Arquivo da categoria: grosseria

king james!

I’d rather be the devil, to be that woman man
I’d rather be the devil, to be that woman man
Aw, nothin’ but the devil, changed my baby’s mind
Was nothin’ but the devil, changed my baby’s mind
I laid down last night, laid down last night
I laid down last night, tried to take my rest
My mind got to ramblin’, like a wild geese
From the west, from the west
The woman I love, woman that I loved
Woman I loved, took her from my best friend
But he got lucky, stoled her back again
But he got lucky, stoled her back again

nicky hopkins…

olha a Lenda – registrada pela xeretinha – acompanhando joe cocker, no maracanãzinho, em agosto de 1977…

prestenção por onde o inigualável piano de mister hopkins passou:

Discography

NICKY HOPKINS DISCOGRAPHY HIGHLIGHTS


THE SIXTIES

 


THE WHO, My Generation, Brunswick/Decca USA
THE KINKS, The Kinks Kontroversy, Pye/Reprise
NICKY HOPKINS, The Revolutionary Piano Of…, CBS
THE KINKS, Face To Face, Pye / Reprise
ROLLING STONES, Between The Buttons, Decca/London
ROLLING STONES, Their Satanic Majesties Request, Decca/London
ROLLING STONES, Beggar’s Banquet, Decca/London
KINKS, Village Green Preservation Society, Pye/Reprise
JEFF BECK GROUP, Truth, Columbia/Epic
THE KINKS, Something Else By The Kinks, Pye/Reprise
DUSTY SPRINGFIELD, Dusty…Definitely, Philips
ROLLING STONES, Let It Bleed, Decca/London
JEFF BECK GROUP, Beck-Ola, Columbia / Epic
STEVE MILLER BAND, Brave New World, Capitol
STEVE MILLER BAND, Your Saving Grace, Capitol
JEFFERSON AIRPLANE, Volunteers, RCA
FAMILY, Entertainment, Reprise
ROY HARPER, Folkjokeopus, Liberty
ELLA FITZGERALD, Ella, Warner Brothers
THE MOVE, The Move, Cube
BILLY NICHOLLS, Would You Believe, Immediate

 

 


THE SEVENTIES

 


STEVE MILLER BAND, Number 5, Capitol
QUICKSILVER MESSENGER SERVICE, Shady Grove, Capitol
VARIOUS, Woodstock, Atlantic
ROLLING STONES, Sticky Fingers, Rolling Stones Records
THE WHO, Who’s Next, Track
NICKY HOPKINS, Jamming With Edward, Rolling Stones Records
JOHN LENNON, Imagine, Apple
ROLLING STONES, Exile On Main Street, Rolling Stones Records
HARRY NILSSON, Son Of Schmilsson, RCA Victor
CARLY SIMON, No Secrets, Elektra
NICKY HOPKINS, The Tin Man Was A Dreamer, CBS
GEORGE HARRISON, Living In The Material World, Apple
RINGO STARR, Ringo, Apple
ROLLING STONES, Goat’s Head Soup, Rolling Stones Records
ANDY WILLIAMS, Solitaire, CBS
JOHN LENNON, Walls & Bridges, Apple
ROLLING STONES, It’s Only Rock’n’Roll, Rolling Stones Records
JOE COCKER, I Can Stand A Little Rain, Fly
PETER FRAMPTON, Something’s Happening, A & M
RINGO STARR, Goodnight Vienna, Apple
MARTHA REEVES, Martha Reeves, MCA
NICKY HOPKINS, No More Changes, Mercury (US)
ART GARFUNKEL, Breakaway, CBS
ROLLING STONES, Black & Blue, Rolling Stones Records
JERRY GARCIA, Reflections, United Artists
ROD STEWART, Footloose And Fancy Free, Warner Brothers
JENNIFER WARNES, Jennifer Warnes, Arista
ROD STEWART, Blondes Have More Fun, Riva
LOWELL GEORGE, Thanks I’ll Eat It Here, Warner Brothers
POINTER SISTERS, Priority, Planet

 

 


THE EIGHTIES

 


ROLLING STONES, Emotional Rescue, Rolling Stones Records
TIM HARDIN, Unforgiven, Arc International
GRAHAM PARKER & THE RUMOUR, The Up Escalator, Stiff
ROLLING STONES, Tattoo You, Rolling Stones Records
NILS LOFGREN, Night Fades Away, MCA/Backstreets
MEATLOAF, Dead Ringer, Cleveland/Epic
GRAHAM PARKER & THE RUMOUR, Another Grey Area, RCA
DUSTY SPRINGFIELD, White Heat, Mercury/Casablanca
KING OF COMEDY, Soundtrack, Warner Brothers
CARL WILSON, Youngblood, Caribou
JULIO IGLESIAS, 1100 Bel Air Place, CBS
BELINDA CARLISLE, Belinda, IRS
ROD STEWART, Rod Stewart/Every Beat Of My Heart, Warner Brothers
PAUL MCCARTNEY, Flowers In The Dirt,Capitol
JACK BRUCE, A Question Of Time, Epic

 

 


THE NINETIES

 


ROGER CHAPMAN, Hybrid & Lowdown, Polydor
GARY MOORE, Still Got The Blues, Virgin
NICKY HOPKINS, The Fugitive (Soundtrack), Toshiba-EMI
NICKY HOPKINS, Patio (Soundtrack), Toshiba-EMI
JAYHAWKS, Hollywood Town Hall, Columbia
JOE SATRIANI, Extremist, Legacy Recordings
SPINAL TAP, Break Like The Wind, MCA
MATTHEW SWEET, Altered Beast, Zoo/BMG
JOE WALSH, Robocop Soundtrack, Rhino/Pyramid
GENE CLARK, Under The Silvery Moon, Delta De Luxe
FRANKIE MILLER, Long Way Home, Jerkin’ Crocus

 

 


THE SINGLES

 


SCREAMING LORD SUTCH, Jack The Ripper/Don’t You Just Know It, Decca
THE WHO, Anyway Anyhow Anywhere , Brunswick
THE KINKS, Till The End Of The Day, Pye/Reprise
CYRIL DAVIES R & B ALL STARS, Country Line Special/Chicago Calling, Pye International/Dot
CLIFF BENNETT & REBEL ROUSERS, My Old Standby (B-Side), Parlophone
RITCHIE BLACKMORE ORCHESTRA, Little Brown Jug/Getaway, Oriole
VASHTI, Some Things Just Stick In Your Mind ,Decca
DAVY JONES & THE LOWER THIRD, You’ve Got A Habit Of Leaving, Parlophone
PRETTY THINGS, Midnight To Six Man, Fontana
THE KINKS, Dedicated Follower Of Fashion, Pye/Reprise
THE KINKS, Sunny Afternoon, Pye/Reprise
DAVID BOWIE, Can’t Help Thinking About Myself, Pye
TWICE AS MUCH, Sittin’ On A Fence/Baby I Want You, Immediate
CAT STEVENS, Matthew And Son/Granny, Deram
ROLLING STONES, We Love You, Decca/London
ROLLING STONES, 2000 Light Years/She’s A Rainbow, Decca/London
NICKY HOPKINS, Mr. Pleasant, Polydor/Decca
THE KINKS, Autumn Almanac, Pye (UK)
DAVE DAVIES, Death Of A Clown, Pye/Reprise
JEFF BECK, Beck’s Bolero, Columbia/Epic
YARDBIRDS, Little Games, Columbia
MARC BOLAN, Jasper C. Debussy, Track
PP ARNOLD, The First Cut Is The Deepest, Immediate
BEATLES, Hey Jude/Revolution (B-side), Apple
ROLLING STONES, Jumpin’ Jack Flash, Decca/London
THE KINKS, Days, Pye/Reprise
DONOVAN, Goo Goo Barabajagal, Epic
SCAFFOLD, Lily The Pink, Parlophone
FATS DOMINO, Have You Seen My Baby, Reprise
JOHN LENNON/PLASTIC ONO BAND, Happy Christmas/War Is Over, Apple
THE WHO, Let’s See Action, Track
ROLLING STONES, Tumbling Dice, Rolling Stones
HARRY NILSSON, Remember Christmas, RCA
ROLLING STONES, Angie, Rolling Stones
GEORGE HARRISON, Give Me Love, Apple
RINGO STARR, Photograph, Apple
RINGO STARR, You’re Sixteen, Apple
JOE COCKER, You Are So Beautiful, A & M
ART GARFUNKEL, I Only Have Eyes For You, Columbia
JULIO IGLESIAS / WILLIE NELSON, To All The Girls I’ve Loved Before, CBS
JOE WALSH / STEVE EARLE, Honey Don’t (Beverley Hillbillies), Fox Records
JOE WALSH / FRANKIE MILLER, Guilty Of The Crime, Pyramid
PAUL MCCARTNEY, Beautiful Night/Same Love, Oobu-Joobu 6

independência…

aqui estão os paralamas decolando em frente da casa rosada, buenos aires (1986).

esta é uma das fotos publicadas no livro que fizemos, em 2006, sobre os primeiros 25 anos de nossas vidinhas together!

lembra dele, né?

pois bem, amanhã, estaremos no mesmíssimo local (praça de maio) para celebrar a independência da argentina (25maio1810)!!!

sabe quem encerrará o embalo?

lá vai…

CAFÉ TACVBA

( :

com a pauta lotadona, o tico voltará a bater asas na segunda feira, ok?

cheers!

DIANA…

fui esmigalhado, ontem, por este doc que passou no GNT!

certamente, os minutos mais impactantes que testemunhei no últimos tempos.

e olha que minha relação com o mundinho fashion é zereta… zereta total!

portanto, esqueça o peso deste trailer em roupitchas, celebridades & afins.

o documentário é uma Aula de comunicação, história, fotografia, transgressão, inteligência, educação, música… FUEDA!

imperdível!

DIANA, DIANA…

Diana Vreeland

From Wikipedia, the free encyclopedia
Diana Vreeland
Diana Vreeland 05.jpg
Diana Vreeland by Horst P. Horst.
Born Diana Dalziel
September 29, 1903
Paris, France
Died August 22, 1989 (aged 85)
Manhattan, New York
United States
Cause of death Heart attack
Occupation Magazine editor, fashion journalist
Title Editor-in-chief of Vogue
Spouse(s) Thomas Reed Vreeland (m. 1924–w. 1966)
Children
Website
www.dianavreeland.com

Diana Vreeland (September 29, 1903, Paris, – August 22, 1989, New York City) was a noted columnist and editor in the field offashion. She worked for the fashion magazines Harper’s Bazaar and Vogue and the Costume Institute of the Metropolitan Museum of Art. She was named to the International Best Dressed List Hall of Fame in 1965.[1]

Early life

She was born as Diana Dalziel in ParisFrance, at 5 Avenue Bois de Boulogne (Avenue Foch since World War I). Vreeland was the eldest daughter of American socialite mother Emily Key Hoffman (1876-1928) and British father Frederick Young Dalziel (1868-1960). Hoffman was a descendant of George Washington‘s brother as well as a cousin of Francis Scott Key. She also was a distant cousin of writer and socialite Pauline de Rothschild (née Potter; 1908-1976). Vreeland had one sister, Alexandra (1907-1999), who later married Sir Alexander Davenport Kinloch, 12th Baronet (1902-1982).

Vreeland’s family emigrated to the United States at the outbreak of World War I, and moved to 15 East 77th Street in New York, where they became prominent figures in society. Vreeland was sent to dancing school and was a pupil of Michel Fokine, the onlyImperial Ballet master ever to leave Russia, and later of Louis Harvy Chalif. Vreeland performed in Anna Pavlova‘s Gavotte atCarnegie Hall. In January of 1922, Vreeland was featured in her future employer, Vogue, in a roundup of socialites and their cars. The story read, ““Such motors as these accelerate the social whirl. Miss Diana Dalziel, one of the most attractive debutantes of the winter, is shown entering her Cadillac.” [2]

On March 1, 1924, Diana Dalziel married Thomas Reed Vreeland (1899–1966), a banker, at St. Thomas’ Church in New York, with whom she would have two sons: Tim (Thomas Reed Vreeland, Jr.) born 1925, who became an architect as well as a professor of architecture at UCLA, and Frecky (Frederick Dalziel Vreeland) b. 1927 (later U.S. ambassador to Morocco).[3] A week before her wedding, the New York Times reported that her mother had been named co‑respondent in the divorce proceedings of Sir Charles Ross and his second wife, Patricia. The ensuing society scandal estranged Vreeland and her mother, who died in September 1928 in Nantucket, Massachusetts.[citation needed]

After their honeymoon, the Vreelands moved to Albany, New York, and raised their two sons, staying there until 1929. They then moved to 17 Hanover Terrace, Regent’s ParkLondon, previously the home of Wilkie Collins and Edmund Gosse. During her time in London, she danced with the Tiller Girls and met Cecil Beaton, who became a lifelong friend. Like Syrie Maugham and Elsie de Wolfe, other society women who ran their own boutiques, Diana operated a lingerie business near Berkeley Square. Her clients included Wallis Simpson and Mona Williams. She often visited Paris, where she would buy her clothes, mostly from Chanel, whom she had met in 1926. She was one of fifteen American women presented to King George V and Queen Mary at Buckingham Palace on May 18, 1933.[citation needed] In 1935 her husband’s job brought them back to New York, where they lived for the remainder of their lives.

“Before I went to work for Harper’s Bazaar in 1936, I had been leading a wonderful life in Europe. That meant traveling, seeing beautiful places, having marvelous summers, studying and reading a great deal of the time.”[4] These travels are the subject of a documentary called The Eye has to Travel, a film that pays tribute to the life of Diana Vreeland, which debuted in September 2012 at the Angelika Theater in New York City.

Career

Harper’s Bazaar 1936–1962

Her publishing career began in 1936 as columnist for Harper’s Bazaar. In 1936 the Vreelands moved from London to New York City. They found New York City to be extremely expensive. Carmel Snow, the editor of Harper’s Bazaar, was impressed with Vreeland’s clothing style and asked her to work at the magazine.[5] From 1936 until her resignation, Diana Vreeland ran a column for Harper’s Bazaar called “Why Don’t You?”. One example is a suggestion she made in the column, “Why don’t you…Turn your child into an Infanta for a fancy-dress party?”[6] According to Vreeland, “The one that seemed to cause the most attention was […] “[Why Don’t You] [w]ash your blond child’s hair in dead champagne, as they do in France.” Vreeland says that S. J. Perelman wrote a parody of it for The New Yorker magazine that outraged her then-editor Carmel Snow.[7]

Diana Vreeland “discovered” actress Lauren Bacall in the 1940s. A Harper’s Bazaar cover from the early 1940s shows Lauren Bacall posing near a Red Cross office. Based on Vreeland’s decision, “[t]here is an extraordinary photograph in which Bacall is leaning against the outside door of a Red Cross blood donor room. She wears a chic suit, gloves, a cloche hat with long waves of hair falling from it”.[8] Vreeland was noted for taking fashion seriously. She commented in 1946 that “[T]he bikini is the most important thing since the atom bomb“.[9] Vreeland disliked the common approach to dressing that she saw in the United States in the 1940s. She detested “strappy high-heel shoes” and the “crêpe de chine dresses” that women wore even in the heat of the summer in the country.[10]

Until her resignation at Harper’s Bazaar, she worked closely with Louise Dahl-Wolfe,[11] Richard AvedonNancy White,[12] and Alexey Brodovitch. Diana Vreeland becameFashion Editor for the magazine. Richard Avedon said when he first met Diana Vreeland and worked for Harper’s Bazaar, “Vreeland returned to her desk, looked up at me for the first time and said, ‘Aberdeen, Aberdeen, doesn’t it make you want to cry?’ Well, it did. I went back to Carmel Snow and said, ‘I can’t work with that woman. She calls me Aberdeen.’ And Carmel Snow said, ‘You’re going to work with her.’ And I did, to my enormous benefit, for almost 40 years.”[13] Avedon said at the time of her death that “she was and remains the only genius fashion editor”.[14]

In 1955 the Vreelands moved to a new apartment which was decorated exclusively in red. Diana Vreeland had Billy Baldwin decorate her apartment.[15] She said, “I want this place to look like a garden, but a garden in hell”.[13] Regular attendees at the parties the Vreelands threw were socialite C. Z. Guest, composer Cole Porter, and British photographer Cecil Beaton[13] Paramount‘s 1957 movie musical Funny Face featured a character—Maggie Prescott as portrayed by Kay Thompson—based on Vreeland.[16]

In 1960 John F. Kennedy became president and Diana Vreeland advised the First Lady Jacqueline Kennedy in matters of style. “Vreeland advised Jackie throughout the campaign and helped connect her with fashion designer Oleg Cassini, who became chief designer to the first lady”.[17] “I can remember Jackie Kennedy, right after she moved into the White House…It wasn’t even like a country club, if you see what I mean-plain.” Vreeland occasionally gave Mrs. Kennedy advice about clothing during her husband’s administration, and small advice about what to wear on Inauguration Day in 1961.[18]

In spite of being extremely successful, Diana Vreeland made a small amount of money from the Hearst Corporation, which owned Harper’s Bazaar. Vreeland says that she was paid $18,000 a year from 1936 with a $1,000 raise, finally, in 1959. She speculated that newspaper magnate William Randolph Hearst‘s castle in San Simeon, California, “must have been where the Hearst money went”.[19]

Vogue 1963–1971 and the Metropolitan Museum of Art

According to some sources, hurt that she was passed over for promotion at Harper’s Bazaar in 1957, she joined Vogue in 1962. She was editor-in-chief from 1963 until 1971. Vreeland enjoyed the sixties enormously because she felt that uniqueness was being celebrated. “If you had a bump on your nose, it made no difference so long as you had a marvelous body and good carriage.”[20] During her tenure at the magazine, she discovered the sixties “youthquake” star Edie Sedgwick. In 1984 Vreeland explained how she saw fashion magazines. “What these magazines gave was a point of view. Most people haven’t got a point of view; they need to have it given to them-and what’s more, they expect it from you. […][I]t must have been 1966 or ’67. I published this big fashion slogan: This is the year of do it yourself. […][E]very store in the country telephoned to say, ‘Look, you have to tell people. No one wants to do it themselves-they want direction and to follow a leader!'”[21]

After she was fired from Vogue, she became consultant to the Costume Institute of the Metropolitan Museum of Art in New York in 1971. By 1984, according to Vreeland’s account, she had organized twelve exhibitions.[22] Artist Greer Lankton created a life-size portrait doll of Vreeland that is on display at the museum.

Later years

In 1984 Vreeland wrote her autobiography, D.V. In 1989 she died of a heart attack at age 86 at Lenox Hill Hospital, on Manhattan’s Upper East Side in New York City.